2019 Finish-A-Long Q2 Nomination

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For the second quarter of 2019, I’m nominating a larger project (but still only one). As usual, I’m linking through Sandra of Sew Of Course in Ireland.

En Bourgogne top
En Bourgogne top

This project is only eighteen months old so it barely qualifies as a UFO in my book, but I’m going to finish it off anyway.

In November 2016, Bonnie Hunter launched her annual mystery quilt, En Provence. The palette for this project was based on the lavendar farms in southern France — lavendar, purple, magenta, green and yellow. I love the palette and was very tempted to do the mystery but decided to wait until I saw the completed top. I’m glad I did, as I didn’t like the balance of colours in Bonnie’s quilt — too heavy on the dark purple and magenta for my taste.

As the year progressed, I saw other versions in different colourways and liked them better than the original. This top by Melinda Shackelford was in brown and green, and it was the one that convinced me I could make this quilt. I decided to do a version in caramel, brown, green and burgundy (hence the name change). Several times during the year I made notes and calculated fabric requirements.

En Bourgogne Block A
En Bourgogne Block A
En Bourgogne Block B
En Bourgogne Block B
En Bourgogne Block C
En Bourgogne Block C

I changed the quilt’s construction, too — Bonnie made it up as a 15″ block with 3″ pieced sashing, but I loathe pieced sashing and I saw that it could be made as three different 9″ blocks instead. I replaced the tall triangle unit with a quarter square triangle in Block B (which reduced the curve along the brown diagonals), and I used print squares instead of neutral four-patches.

I started cutting and sewing units in early October 2017. I used fabrics from my stash, ranging from greens and caramels that had been bought in 2017 all the way back to a crimson poplin which was so old it was 36″ wide (early 90s) and a dark brown print that had been used in Autum Mood (1988). I was in no hurry, and I gave myself permission to make mistakes because I wanted this quilt to be about enjoying the process rather than making a perfect project — I had spent too much time with deadlines during the year and was feeling the grind.

The method I used for the quarter-square triangles required pressing to one side rather than open, and consequently I decided to press to one side for the whole quilt. Unfortunately this made for some very bulky areas in the seams, and served to reinforce my preference for open seams.

As my AHQ commitments died down I spent more and more time on it, and towards the end I was working several hours a day. I finished setting the blocks together on 30 November. I knew that it needed a border or two, since the size (81″ square) was a little small for a queen bed, but I couldn’t decide on what fabrics to use, so it languished in a box for eighteen months.

For my FAL goal, I’m going to add two borders to the top, then quilt it. I’ve chosen the fabric for the first border (shown in the photo) but I’m still not sure about the second.

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2019 Finish-A-Long Q1 Finish

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Welcome to my first completed project for the 2019 FAL. I’m linking up through Sew Of Course in Ireland.

I only nominated one project in January: this 25-year-old tumbling blocks miniature.

tumbling blocks top

Stream pattern by Sara Nephew
Stream pattern by Sara Nephew

Piecing was done in 1994 in a workshop with Sara Nephew at the Australasian Quilt Convention. This particular design is called “Stream”, and features three different heights for the blocks, making a sinuous curve rather than a straight line.

I did all the in-the-ditch stitching with MonoPoly clear thread in the needle and Invisafil 100 wt polyester in the bobbin, and had no issues once I’d adjusted the bobbin tension. I intended to practice my ruler quilting using the same threads, but unfortunately I had significant problems with the ruler foot not permitting any fabric movement. I’m not sure if it was connected to the timing issues I discovered last week but I don’t think so. When I have some free time I’ll make up another sandwich and see what I can do with normal thread.

Fabric bunched up in front of the ruler foot
Ruler foot problems 1

I eventually decided to do a little more quilting in the largest blocks with the walking foot, which went well but I don’t need any more walking foot practice. I also considered doing free motion quilting in the “top” diamonds, to hide the seam allowance, but I ran out of time due to issues with another quilt. There’s enough quilting to hold all the layers together and it’s destined to cover the cutting mat or to cushion cat bottoms, so I decided that enough was enough and put the binding on.

Tumbling Blocks binding front
Tumbling Blocks binding front

As you can see, matching points with binding is not a skill I have mastered yet (which is why I usually add a border, even it’s only a narrow one). To be fair, though, my piecing wasn’t exactly great either, and seams were pressed to one side rather than open, resulting in some bulky intersections and a rather less-than-square top. If I had pieced it this year I think I would have done a better job.

Tumbling Blocks mini back
Tumbling Blocks mini back

The backing is a very old Cranston VIP print, roughly the same age as the top. I didn’t set the top squarely on the backing, as you can see, but then the top isn’t quite square anyway so I’m not fussed. I didn’t have any of the original dark green solid left, but I had another that works well, and in fact is an almost exact match for the green in the backing fabric.

Tumbling Blocks binding back
Tumbling Blocks binding back

The binding was stitched down by hand using Superior Threads Kimono 100 wt silk thread. I love using this thread for appliqué and binding — it seems to melt into the fabric and is barely visible even in close-up.

Tumbling Blocks mini finished
Tumbling Blocks mini finished

Name: Tumbling Blocks
Size: 80 x 80 cm (31.5″ x 31.5″)
Design: Stream (tumbling blocks variation) by Sara Nephew
Fabric: Cotton
Batting: Matilda’s Own 100% cotton
Pieced: 1994 by machine (Janome MemoryCraft 8000)
Quilted: January-March 2019 by machine (Janome HMC 9400 QCP)
Bound: April 2019

Lessons Learned:
1. Seam allowances matter!
2. Pressing to one side causes too much variation in thickness and contributes to uneven edges.
3. It’s hard to attach a binding to a pieced edge.

2019 Finish-A-Long

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I’m joining the 2019 Finish-A-Long, but I’m barely dipping my toe in the waters, so to speak.  I hate setting goals I have no reasonable hope of achieving, so for the first quarter I’m going to nominate one small project that I’m certain I can get done. As I’m in Australia, I’m linking through Sandra of Sew Of Course in Ireland.

tumbling blocks top

This top is one of my oldest UFOs.  It was made in a workshop with Sara Nephew in 1994, when she attended the Australasian Quilt Convention in Canberra.  I loved her workshops but, as you can see, my fabric choices weren’t great.  The pink, mint green and floral green fabrics were bought for a sampler class in 1988 (the results of that were so horrendous they’ve never seen the light of day in thirty years).  I think most of the others came from curated long quarters packs.

The top is roughly a metre square so it shouldn’t take long to baste, quilt and bind.  Even though I don’t like it, I’m sure the cats won’t be as fussy.